Going Vertical


“Going Vertical” my cover story on vertical urban landscapes with San Francisco plant maestro David Brenner, founder of Habitat Horticulture, is online at California Bountiful magazine with shots by talented Bay Area photographer Paolo Vescia. This is indoor gardening on a whole new angle.

Here are some scouting shots I took before the big guys showed up

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Four Literary Questions

Janet Fitch's Blog

This question was posed for me by a reader on my Goodreads page. For me, the best questions are the ones that make me think more deeply about the issues involved. This was a good one:
 “What makes a great story/book? There are so many writers out there, but only a few get any acclaim, and some of the best posthumously. It is a herd mentality that snowballs into popularity?”
The questioner is actually asking four separate questions here.
1. What makes a great story?
2. What makes a great book?
3. Why do only a few books get acclaim?
4. Is it a herd mentality that snowballs a book into popularity.
I answered them in order–but Number 2 is the one that interests me most.
1. A great story is one which satisfies the question it raises in the beginning. It can be a…

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Peddling Poetry — A Time-Honored Tradition

Restored peddlers wagon, Ohio

Beyond the flow of mainstream media, where mega-best-sellers barge by creating big wakes, there are quiet bays where writers row in welcoming waters, where a tide of readers wade in and tug their turquoise and yellow books to shore. I’ve been hanging out in these quiet inlets, splashing in the tide pools of poetic arts, collecting.

I’ve gathered prickly urchins and violet anemones, shells that play madrigals and rondos. I’ve taken them home and treasured each one. Many of these collected “chapbooks” include the poems of friends or writers I’ve heard read their stories at literary events. Some are the work of acquaintances on social media and others passed along by poets.
These slender volumes created by working artists follow a centuries old tradition made popular by “chapmen,” peddlers of sometimes dubious character who tramped the byways of 17th century small-town Europe offering housewares and hardware and the occasional booklet to rural residents. These pamphlets included political and religious tracts, folk tales — and often poetry.

Peddler in modern China

Although the Industrial Revolution brought better printing presses and the chapbook fell out of favor, the publishing method never completely died out. The appeal of inexpensive booklets easily distributed was not lost on thrifty residents of rural towns or on avant garde artists seeking attention for their work — the American Beat poets of the 1950s and 60s published frequently in chapbooks, for example.

American poet Allen Ginsberg’s ground-breaking work “Howl and Other Poems” was originally published this way by Lawrence Ferlinghetti and City Lights Books, as were works by Kenneth Rexroth, Robert Duncan, William Carlos Williams and Gregory Corso. Today a first edition chapbook of “Howl” sells for about $600, but back in the day probably cost less than a dollar. There’s a lively trade in collectible chapbooks these days and many independent booksellers maintain a special section. Not true for chain book stores, however.

But, chapbooks remain one of the world’s most widely-accepted forms of publishing poetry. Given the centuries-old tradition of bringing pots and pans, as well as prose and poetry, to customers worldwide, these minimalist, low-cost volumes don’t carry the modern stigma of vanity attached to longer, self-published works. Heck, every American poet from Whitman to Frost initially published this way.

Right now there are a number of chapbooks on my bedside table that I turn to when I settle down for a quick read before sleep. I’ll highlight them in coming weeks. The author’s aren’t household names like J.K. Rowling, John Grisham or James Patterson. Instead, the books are small, personal and beautifully made by real people with something to say. Here’s an example:

Grand Slam, poet Alan Kleiman’s premiere collection features many of his most popular works, offers deceptively light verse that pops with charm and catches the reader off-guard with unexpected insights. He finds poetic occasion in life’s ordinary events: Sardines, a barn reflected, feta dip, sliver removers, wanting girls, slow dancing and kisses.

Kiss me a hundred times
and then a thousand
and then more that that
and then even more
and you will begin
to touch
the spot where
I want to kiss you more.
 “It’s a pleasure to praise Alan Kleiman’s brave and strange poetry, with its various

strands of innocent yearning and worldly resignation. ‘The Emperor’s clothes don’t fit anymore,’ Kleiman has found. The result is a whole new wardrobe, this time, without excuses” — Jeff Nunokawa, Princeton University.

Kleiman, who often works under the pen name Ace Mulvihil, lives in New York City and is as an attorney. His poetry has appeared in publications around the world. Grand Slam is available online from Amazon.

Today I join the ranks of chapmen, rattling my wagon from town to town, calling to housewives: “Hot poems. Hot Poems. One a penny, two a dime. Hot Poems!”